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The articles here are reproduced with the kind permission
of the authors. Copies of
these articles can be found in my caricature catalogues.
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Orange Jumper Unravelled.
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Item No.27 in catalogue 28 was Gillray’s “The
Orange Jumper”. These notes are intended to give
some background to the publication of this print. Moreover,
of the ‘Orange Jumper’ himself and of the reasons
for the print’s rarity.
The eldest child and only son of the 4th Earl Fitzwilliam was
Charles William Viscount Milton who attained his majority on
the 4th May 1807. He married his cousin Mary Dundas the previous
July. A superb fete had been given for the couple at Wentworth
House attended by over 600 guests. Hargrove’s ‘Gazetteer
of Yorkshire’ (2nd edition 1813), has the flavour of the
evening: ‘We know not how more justly to characterise
the princely entertainment than by saying it was worthy of the
first family in the largest and one of the most opulent Counties
in the British Empire and that it had no parallel in Yorkshire’.
Young Milton was inevitably a political animal and of the Whig
variety. His father had been urged by Burke and others to take
on the leadership of the Whigs on the death of his Uncle, The
Marquis of Rockingham, (twice Prime Minister), and also of Wentworth.
Moreover, Fitzwilliam himself had been an ambitious Lord Lieutenant
of Ireland. Milton was about to be thrown into the whirlpool
of the Yorkshire Election of 1807. Pitt and Fox died in 1806
and the Ministry of All the Talents had finally succumbed in
March.
Two sitting members for the County of Yorkshire were William
Wilberforce of Hull (Tory), and Walter Fawkes of Farnley Hall
near Otley (Whig). The latter had, as Walter Ramsden Beaumont
Hawksworth, inherited the Farnley Hall estate, but subject to
a ‘change of name and arms clause’. He had no real
taste for the labours of a Country Member with all the tiresome
duties that it bought. It was soon clear, however, that he was
to be challenged by a second Tory candidate. Henry Lascelles,
the younger son of the Earl of Harewood. Wealthy from the profits
of his West Indian Plantations. Fawkes lack of enthusiasm and
also of the financial resources needed to resist a serious challenge
from Harewood House; prompted his withdrawal from the contest
at short notice. ‘A more vexatious event could not have
been imagined’, wrote Fitzwilliam. Time was of the essence
and Milton just twenty-one years old was the inevitable choice
of the Whigs.
The entire resources of the Wentworth family were mobilised
in Milton’s support. Such was the rivalry between opposing
forces that Lord Harewood was said to be ‘ready to spend
the whole of the Barbados property’. Wilberforce, almost
certain of election was above the battle. The real contest was
between Milton and Lascelles.
The run-up to the election lasted five weeks; it was a fierce
no-holds-barred and above all expensive process. The Times commented.
‘Go where you will, you run up against one of his Lordship’s
(Fitzwilliam’s) agents. He seems not only to have an agent
or two in every village but one on every coach’.
The outcome was in doubt to the last; Milton’s victory
was indeed narrow, 11,177 to Lascelles’s 10,990. Wilberforce,
already a diligent Servant of his county’s interests for
twenty-three years led the poll with 11,806 votes. His expenses
came to well under half of those of each of the other candidates.
Harewood’s finial accounts totalled some £93,600
and Fitzwilliam’s £99,000. There were then no restrictions,
(on the amount spent), set by Parliament and for present day
values these figures need to be multiplied by at least fifty.
More money was thrown at this election than any other for which
records exist. The new member proved to have admirable qualities,
diligent, intelligent and enthusiastic. Milton was to be spokesman
for the Northern Whig interest in Parliament until succeeding
to the Earldom in 1833. Throughout his life, these qualities
persisted and he managed the extensive Wentworth estates in
an exemplary fashion.
But what about “Orange Jumper”? This nickname only
became current after the election, and was that of a John Clarkson,
veteran Leeds horse Breaker and a man with a criminal record.
This was Milton’s most ardent, indefatigable, and vociferous
supporter.
Gillray’s print was published only in March 1809, almost
two years after the election. It shows The Jumper standing at
the corners of Etridge’s Inn Yard in York. There he is
characteristic pose, waving Milton’s colours, in a brief
interval when not quartering the country on his behalf.
The initiative for the print appears to have come from Fawke’s
brother, Francis Hawksworth of heath Hall near Wakefield. The
echoes of the election still reverberated, but it can be argued
that the print was not so much to commemorate the election as,
The Jumper himself. There are two surviving letters from Hawksworth
to Gillray. In the first, as happened not infrequently with
Gillray’s clients he enclosed a sketch of The Jumper as
he recalled him together with detailed written description.
Gillray was to be required to copy the sketch exactly. Such
comments probably did nothing for Gillray’s enthusiasm
for the project. None the less, Hawksworth received proof copies
on March 17th 1809. His second letter in reply told Gillray
curtly that the proofs were unacceptable, as ‘They would
quite disgrace me’. Not a single copy was to be disposed
of in its present state. Gillray was requested to return the
sketch forthwith and that would be and end of the matter. Very
few copies were printed and fewer still got into circulation;
the plate was almost certainly destroyed or re-used.
This may not be quite all. Some years later, the Don Pottery
of Swinton, near Rotherham, produced their own Jumper Jugs in
four sizes. The figure on the jugs is clearly the “Orange
Jumper”, but there are still differences from the print.
It has been suggested that Earl Fitzwilliam proprietor of the
nearby Rockingham Pottery initiated the revival after Gillray
had returned the sketch that was then transfer printed onto
the ‘Jumper Jugs’. If so Clarkson appeared
on the Don Pottery products exactly as Hawksworth wanted.
Those interested in further reading are referred to the excellent
chapter on the “Orange Jumper” and the
“Jumper Jugs” in Don Pottery 1801-1892, by
John Griffen, published by Doncaster Museum Service 2001.
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